THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be craving romantics, with this particular big difference: Buster appears to be a plausible mate, plus the Tramp rarely seems to have a libido, only idealized notions. If their comedies were built in a more liberated time, it can be done to imagine Keaton in bed with a girl, but disquieting to think of the Tramp for a sexual remaini